On the Tes web site.....of interest!
http://www.tes.co.uk/2434607
have a look.........
Friday, 5 October 2007
Thursday, 4 October 2007
Popular culture: The gay experience!
In May 1995, The Gay Times celebrated its 200th edition. It was titled: Britain's Top 200 gay men and Lesbians. Everyone who was named in that edition was out.
The editor David Smith, ends his introduction with;
[But] as we move into the second half of the last decade of the 20th century, there is no doubt that we have finally proved what British gay organisations, from the Gay Liberation Front onwards, set out to prove 25 years ago.
We are everywhere.
Lesbian, gay, bi and trans culture and popular music has managed to effect the lives of many LGB and T people far more than ‘mere’ entertainment. Popular Music has offered the lives of modern LGB/T people, a fundamental role in establishing gay self identity and maintaining communities solidarity.
"I'm coming out" has been since 1980 the chorus to any gay pride or gay venues repertoire. An empowering statement which was inspired by Californian drag queens.
Whether it be Opera, (David Daniels the brilliant counter-tenor or Samuel Barber the man who wrote one of the most famous pieces of opera, Adagio), musical theatre, (Cole Porter and Leonard Bernstein), blues, (Bessie Smith regarded by many as one of the best blues singers ever), women's music, (Horse female singer ,song writer and performer),disco or homocore…Gay, Lesbian, bisexual and transgnder communities and individuals have relied on popular music to express both personal desires and political demands. They have been able to see themselves in lyrics of songs; Tom Robinson “glad to be gay” or Antony and the Johnsons: "All those beautiful boys/Pimps and queens and criminal queers/All those beautiful boys/Tattoos of ships and tattoos of tears"
Music has provided a shared sound track for Lesbian Gay bi and trans communities, meeting in clandestine bars and cabarets or publicly at marches, pride parades or music festivals and gay discos, places of key importance to lovers and activists, whose bodies - electric, erotic and politic respond equally to Boy George as to Donna Summer, Will Young and Marc Almond.
The editor David Smith, ends his introduction with;
[But] as we move into the second half of the last decade of the 20th century, there is no doubt that we have finally proved what British gay organisations, from the Gay Liberation Front onwards, set out to prove 25 years ago.
We are everywhere.
Lesbian, gay, bi and trans culture and popular music has managed to effect the lives of many LGB and T people far more than ‘mere’ entertainment. Popular Music has offered the lives of modern LGB/T people, a fundamental role in establishing gay self identity and maintaining communities solidarity.
"I'm coming out" has been since 1980 the chorus to any gay pride or gay venues repertoire. An empowering statement which was inspired by Californian drag queens.
Whether it be Opera, (David Daniels the brilliant counter-tenor or Samuel Barber the man who wrote one of the most famous pieces of opera, Adagio), musical theatre, (Cole Porter and Leonard Bernstein), blues, (Bessie Smith regarded by many as one of the best blues singers ever), women's music, (Horse female singer ,song writer and performer),disco or homocore…Gay, Lesbian, bisexual and transgnder communities and individuals have relied on popular music to express both personal desires and political demands. They have been able to see themselves in lyrics of songs; Tom Robinson “glad to be gay” or Antony and the Johnsons: "All those beautiful boys/Pimps and queens and criminal queers/All those beautiful boys/Tattoos of ships and tattoos of tears"
Music has provided a shared sound track for Lesbian Gay bi and trans communities, meeting in clandestine bars and cabarets or publicly at marches, pride parades or music festivals and gay discos, places of key importance to lovers and activists, whose bodies - electric, erotic and politic respond equally to Boy George as to Donna Summer, Will Young and Marc Almond.
Wednesday, 3 October 2007
Ned Sherrin. A national treasure, a supreme wit, a frightening intellect and one of the most entertaining people ever to grace our airwaves!
Edward George (Ned) Sherrin was born into a farming family at Low Ham in the Somerset Levels, Sherrin attended Sexey's School, in Bruton, Somerset. Although he read law at Exeter College, Oxford and subsequently qualified as a barrister, he became involved in theatre at Oxford and joined British television at the founding of independent television in 1956, producing shows for ATV.
Ned was an openly gay man, he was a patron of the London Gay Symphony Orchestra. Sherrin was awarded a CBE in the 1997 New Year’s honours list. He died of complications of throat cancer on 1 October 2007 aged 76.
Ned on LGBT History Month Web page.
http://lgbthmuk.blogspot.com/2007/10/ned-sherrin-dies.html
Ned on wikipedia
http://en.wikipedia.org/wiki/Ned_Sherrin
Ned on GALHA
http://www.galha.org/glh/251/sherrin.html
Ned was an openly gay man, he was a patron of the London Gay Symphony Orchestra. Sherrin was awarded a CBE in the 1997 New Year’s honours list. He died of complications of throat cancer on 1 October 2007 aged 76.
Ned on LGBT History Month Web page.
http://lgbthmuk.blogspot.com/2007/10/ned-sherrin-dies.html
Ned on wikipedia
http://en.wikipedia.org/wiki/Ned_Sherrin
Ned on GALHA
http://www.galha.org/glh/251/sherrin.html
LGB/T Heritage matters.
“Whatever our alignment and affiliations history is always a useful tool to have when defining ourselves in the world...the denial of history has always been to some extent part of the oppression or marginalisation of groups and the reclaiming or rewriting of history has always been part of their liberation or self-realisation."
Culture wars
Without the earlier subculture of queer politics, gay and lesbian and feminist activists who in the early stages of feminist and sexual politics, built their own networks and communities there would be little to say about LGBT culture.
It was these networks, which were able to respond to the catastrophe of AIDS. With grassroots self help projects, safer sex campaigns, lobbying and fund raising, when HIV/AIDS struck the United kingdom and the western male gay community-to the early indifference of much of the wider society.
There are now more sexual identities and subcultures visible and active in public culture, it is important to remember that alongside popular fascination with gender and sexual diversity, challenges to conservative traditions remain vigorously policed and punished. From epidemic hate crimes against LGB and T people to media fears of the consequences of women’s greater sexual autonomy, and family values which uphold the heterosexual norm.
How is it best to view the culture wars? The apparent rigidity of gender symbolism of the ‘sex act’ remains one of the key factors which can rob women of their personal sexual freedom to choose an identity and autonomy, while at the same time continuing to confirm men’s sexual conformity to masculinity.
Contemporary culture over the last one hundred years has been accompanied by ever greater social acceptance of diversity although this is still seen through the tradition of masculinity and femininity. There has been an expansion in mainstream culture and the promotion of choice as the overriding route to happiness, (in women’s magazines, advice columns, contemporary fiction, film and television). The battle is still open. Funding has been reduced or removed from gay community groups, LGB and T helplines are closing down due to lack of funding, often found previously from health authorities even through HIV infection continues to rise.
Histories
There is a national attempt to recover and rewrite history. The political declaration of an LGB and T identity requires authenticity through reclaiming one’s history.
The Heritage industry seems to create only one version of a twentieth century identity. Putting Lesbian, gay, bisexual and transgender histories at the centre of ‘our’ representation of history we seek to speak for a history and culture which is specific.
We may choose to offer a shared history of our cultural identities which have been and continue to be reflected in a common historical experience and shared cultural codes. (Dress, language, attitudes, etc) which offer us a meaning and identity.
Heterosexuality has been able to, by merely holding back a people’s past, keep a grip on its power and normality. It turns to the past and distorts, disfigures and destroys references to a heritage that goes back millennia. Cultural identity belongs as much to the past as it does to the future; it is a matter of becoming as well as being. We can use this as a step to understanding how ‘we’ have experienced repression and normalization in a heterosexist cultural backdrop.
In order to challenge hostile claims that homosexuality is abnormal or immoral historical experiences of similarities show that being LGB or T is a ‘given’ and has roots in history.
LGBT History month now in its fourth year offers a standard of cultural and historic exposure. Until we can show our cultural and historic roots, be able to unearth the heritage which we know we have and express that through representation and exhibition, we stand the chance of being singled out for criticism and invisibility in the way we have for hundreds of years to come.
The discovery of, and visibility of our histories, will have psychological benefits to many LGB and T people who still feel a sense of isolation and oppression. Our oppression has changed little, with a greater awareness and understanding of our changing identities we offer hope and a cultural foundation on which we can work on to consider our future.
Through the visual representation and celebration of LGBT History we offer a valuable and sustainable method leading, empowering and building cohesive communities. We have a foundation on which to enable LGB and T communities to face real issues; deal with problems and realise aspirations in an effective way. This involves working in partnership with local people and organizations to create a meaningful, shared vision for the future and then making it happen. In our complex and diverse communities this will never be straight forward, however the results can be rewarding.
The Intercom Trust: supporting lesbian gay bisexual & trans people & communities in the South WestRegistered Charity 1072772
Sarah StephensonLGBT Heritage Project Co-ordinator
sarah@intercomtrust.org.uk www.intercomtrust.org.ukPO Box 285 Exeter EX4 3ZT
01392 201015 (Main Office)
07875 183508 (LGBT Heritage Mobile)
01392 20 16 30 fax
Culture wars
Without the earlier subculture of queer politics, gay and lesbian and feminist activists who in the early stages of feminist and sexual politics, built their own networks and communities there would be little to say about LGBT culture.
It was these networks, which were able to respond to the catastrophe of AIDS. With grassroots self help projects, safer sex campaigns, lobbying and fund raising, when HIV/AIDS struck the United kingdom and the western male gay community-to the early indifference of much of the wider society.
There are now more sexual identities and subcultures visible and active in public culture, it is important to remember that alongside popular fascination with gender and sexual diversity, challenges to conservative traditions remain vigorously policed and punished. From epidemic hate crimes against LGB and T people to media fears of the consequences of women’s greater sexual autonomy, and family values which uphold the heterosexual norm.
How is it best to view the culture wars? The apparent rigidity of gender symbolism of the ‘sex act’ remains one of the key factors which can rob women of their personal sexual freedom to choose an identity and autonomy, while at the same time continuing to confirm men’s sexual conformity to masculinity.
Contemporary culture over the last one hundred years has been accompanied by ever greater social acceptance of diversity although this is still seen through the tradition of masculinity and femininity. There has been an expansion in mainstream culture and the promotion of choice as the overriding route to happiness, (in women’s magazines, advice columns, contemporary fiction, film and television). The battle is still open. Funding has been reduced or removed from gay community groups, LGB and T helplines are closing down due to lack of funding, often found previously from health authorities even through HIV infection continues to rise.
Histories
There is a national attempt to recover and rewrite history. The political declaration of an LGB and T identity requires authenticity through reclaiming one’s history.
The Heritage industry seems to create only one version of a twentieth century identity. Putting Lesbian, gay, bisexual and transgender histories at the centre of ‘our’ representation of history we seek to speak for a history and culture which is specific.
We may choose to offer a shared history of our cultural identities which have been and continue to be reflected in a common historical experience and shared cultural codes. (Dress, language, attitudes, etc) which offer us a meaning and identity.
Heterosexuality has been able to, by merely holding back a people’s past, keep a grip on its power and normality. It turns to the past and distorts, disfigures and destroys references to a heritage that goes back millennia. Cultural identity belongs as much to the past as it does to the future; it is a matter of becoming as well as being. We can use this as a step to understanding how ‘we’ have experienced repression and normalization in a heterosexist cultural backdrop.
In order to challenge hostile claims that homosexuality is abnormal or immoral historical experiences of similarities show that being LGB or T is a ‘given’ and has roots in history.
LGBT History month now in its fourth year offers a standard of cultural and historic exposure. Until we can show our cultural and historic roots, be able to unearth the heritage which we know we have and express that through representation and exhibition, we stand the chance of being singled out for criticism and invisibility in the way we have for hundreds of years to come.
The discovery of, and visibility of our histories, will have psychological benefits to many LGB and T people who still feel a sense of isolation and oppression. Our oppression has changed little, with a greater awareness and understanding of our changing identities we offer hope and a cultural foundation on which we can work on to consider our future.
Through the visual representation and celebration of LGBT History we offer a valuable and sustainable method leading, empowering and building cohesive communities. We have a foundation on which to enable LGB and T communities to face real issues; deal with problems and realise aspirations in an effective way. This involves working in partnership with local people and organizations to create a meaningful, shared vision for the future and then making it happen. In our complex and diverse communities this will never be straight forward, however the results can be rewarding.
The Intercom Trust: supporting lesbian gay bisexual & trans people & communities in the South WestRegistered Charity 1072772
Sarah StephensonLGBT Heritage Project Co-ordinator
sarah@intercomtrust.org.uk www.intercomtrust.org.ukPO Box 285 Exeter EX4 3ZT
01392 201015 (Main Office)
07875 183508 (LGBT Heritage Mobile)
01392 20 16 30 fax
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